| London Hallmarks
Fine Silver (999 Standard)
Diameter: 17 cm
Height: 8 cm
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| London 1989
Height: 12 cm
Diameter top: 16 cm
Weight: 615 gms
RESERVED
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| Edinburgh Hallmark
Diameter: 9 cm
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| Edinburgh Hallmark
Diameter: 6 9 cm
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| Edinburgh Hallmark
Diameter: 7.2 cm
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| Edinburgh Hallmark
Diameter: 7.6 cm
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| London 2000
Millennium Hallmark
Size: 35 cm x 30 cm
Height: 10 cm
Weight: 971 gms
Ane Christensen was born in Denmark in 1972 and graduated from the Royal College of Art in 1999.
Her work can be found in many public collections including the V&A, Birmingham Museum & Art Gallery, Fitzwilliam Museum, Cambridge and museums in Denmark.
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| London 1977
Made for Hennell to celebrate the Qureen's Silver Jubilee
Diameter: 11 cm
With special makers mark for Anthony Elson at Hennell and the Silver Jubilee Mark
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| London 1966
Diameter: 9cm
Height: 8½cm
Part of his first large commission, designed and made for Barclays Bank DCO dining room. He bought the ecclesiastical firm Blunt & Wray with 15 employees to produce this service, his first large commission.
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| London 1978
This was the 24th item of 59 made for John Sutherland-Hawes' Aurum Designs
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Engraved to base:
---/500 *
Certificate signed by D C Dalton President
Edition of: 500
Designer: Hector Miller & Tim Minett
Maker: Hector Miller
Maker’s Mark: HM
Weight: 8 oz
Height: 10 cm Cost new: £235 (£496 for Jug & Box)
The Society owes its origins to a suggestion by Lord Chesham, at the Wray Park Sale of May 10th 1878, that the time had arrived to establish a Herd Book for English Jersey Cattle. The response was enthusiastic and upwards of 150 breeders subsequently lent their support. Today, the Society numbers some 1300 members and in April 1979, as it celebrates its Centenary, it will be the recipient of an unique honour, when Her Majesty The Queen accepts its Presidency.
(This was only offered to purchasers of the Jersey Jug)
* The one currently for sale is numbered 32/100 - They had realised by now that they would not get orders for the full 500 so reduced the edition to 100
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| London 1977
Original Box, certificates , leaflet and letters
This was the 19th item of 59 made for John Sutherland-Hawes' Aurum Designs
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Engraved to base:
NUMBER 560/561 OF A LIMITED EDITION OF 2500 MADE BY ORDER OF THE DEAN AND CHAPTER OF WESTMINSTER TO COMMEMORATE THE SILVER JUBILEE IN 1977 OF HER MAJESTY QUEEN ELIZABETH II
Certificate signed by Edward Carpenter, Dean of Westminster
Edition of: 2500
Designer: Hector Miller & Tim Minett
Maker: Hector Miller
Maker’s Mark: HM
Weight: 8.5oz
Diameter of Bowl: 11.5 cm Cost new: £143 - £284 pair - £850 x 6
The handle of the Bowl, sculptured by Tim Minett, is a crowned, rampant lion, the royal and national symbol of England. Its left paw is supported by a shield bearing across and martlets: the arms of St Edward, which is incorporated in those of the Abbey. The lion proffers St Edward’s Crown, so named because, in origin, it was the Confessor’s own, preserved by the Abbey. It is the Coronation Crown which, at the height of the great national and religious solemnity, is taken from the Abbey’s High Altar by the Dean of Westminster and presented to the Archbishop to be placed on the head of the newly-anointed sovereign. |
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| London 1979
Box & Certificate
This was the 26th item of 59 made for John Sutherland-Hawes' Aurum Designs
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Engraved to base:
NUMBER 148 OF A LIMITED EDITION OF 900 MADE BY ORDER OF THE DEAN AND CHAPTER TO COMMEMORATE THE NINTH CENTENARY OF WINCHESTER CATHEDRAL IN 1979
Certificate signed by Michael Stancliffe, Dean of Winchester
Edition of: 900
Designer: Hector Miller & Tim Minett
Maker: Hector Miller
Maker’s Mark: HM
Weight: 8oz
Diameter of Bowl: 11.5 cm Cost new: £182
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| Sheffield
Diameter: 15 cm
Spun silver and highly polished
Very clever design - as you place your finger inside the bowl it creates a very unusual illusion.
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| London 1977
Diameter: 11.8 cm
Height: 5 cm
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| London 1978
Height: 9 cm
Diameter: 6.5 cm
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| Sheffield 1996
Diameter: 18 cm
Height: 7 cm
Designed and hand made by Charles Hall
Commissioned by Sir Colin Southgate to mark the demerger of Thorn from the EMI group.
Charles Hall studied at Hornsey College of Art and the RCA before establishing his studio and workshop in Cornwall in 1972. A founding Contemporary British Silvermiths), he has undertaken many important commissions.
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| London 1975
Diameter: 12cm
More Available |
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Fully Hallmarked Silver
Brenton West
Hand raised and chased
Weight: 706g
Diameter: 29cm
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| Fully Hallmarked Silver in Birmingham
Diameter: 35cm
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| Edinburgh
Britannia Standard
Diameter: 10 cm
Height: 7 cm
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| Edinburgh 2019
Britannia Standard 958/1000
Width: 15 cm
Height: 3.5 cm
Weight: 151 gms
The Tricorn series has now morphed into the Logsplitter series. This is number 4 in 'Starfishy' form with 8 arms.
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| London 1983
Diameter: 13.5 cm
Height 5.5cm
Angela Pruden (born 1937) was DUNSTAN PRUDEN's daughter and initially taught by him before studying at Brighton College of Art and also had an interest in sculpture. She worked for her father before going to live at Piggotts, Eric Gill's alternative community near Hugh Wycombe. Here she met Phillip Lowery (born 1937) in 1960 and married a year later. He became interested in silver and worked for George Grant for 2 years before they both moved to Gloucestershire and worked together producing domestic and ecclesiastical silver, always hand raised. Phillip had a serious motor accident in 1985 and stopped working as a silversmith.
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| London
Diameter: 1/ 4 inch - 2/ 6 inch - 3/ 8 inch
Width: 1/ 7 inch - 2/ 22 inch - 3/ 29 inch
Price: 1/ £1950 (SOLD) - 2/ £3500 - 3/ £4500
Usually kept in stock - please phone for current price and availability
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| London 1954
Maker: Phyllis Legge
Diameter: 9 cm
Height: 6.5 cm
Fune 1950's design
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| London 1934
Width: 17 cm
Height: 4 cm
Weight: 187 gms
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| Fully Hallmarked Silver (Sheffield)
Modelled as a corned beef tin with the spoon shaped as the key opener
Height: 5.5cm
Length: 13.5cm
Width: 5.5cm
Spoon 11cm
(Spoon is included but can be purchased separately, contact us)
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| London 2002
Diameter: 9 cm
Height: 2.5 cm
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| London 1979
Height: 9 cm
Diameter: 9 cm
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| Sheffield 1959
Width: 12.5 cm
Height: 6 cm
Keith Tyssen, David Mellor and Brian Asquith all studied here
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| Strawberry Print Bowl
London
11.5 cm
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| Sheffield
Fully Hallmarked
Small 12cm diameter, 8ozs, £695
Large 20cm diameter, 25ozs, £1650
Bespoke made for Styles Silver with our makers mark
This item is made to order so delivery is usually about one month |
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| Sheffield
Fully Hallmarked Silver
Hand Hammered inside
Diameter: 155mm
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Fully Hallmarked Silver (Sheffield)
Sterling (925)
Hand Hammered inside
Weight: 365g
Diameter: 205mm
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| London 1923
Searle & Co
Diameter: 11.5 cm
Height: 4.5 cm
Width including handles : 17 cm
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| Sheffield
Fully Hallmarked Silver
Sterling (925)
Styles Silver Makers mark
Hand Pierced
Diameter: 15.5 cm
Height: 8.5 cm
Can be mounted on wood plinth with silver band as per image (at extra cost)
(Also available in larger size) |
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| Chester 1907
SI Ld
Height: 14.5 cm
Width: 13 cm
Gilt lined
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| London 2018
Diameter: 30 cm
Height: 9 cm
Weight: 831 gms
Hand raised and chased large silver gilt fruit bowl
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| London 2006
Height: 18 cm
Steve Wager says: " 'The Hatto Bowl', named in memory of Margot Hatto, a German Jew rescued by a handsmoe intelligence officer in WWII. I taught Margot the art of silver smithing and we became close friends for over 20 years until her passing in 2002. She graciously left me her entire smithng workshop which included the designs for the bowl."
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| London 1972
Diameter: 13.5 cm
Height: 5 cm
Limited edition of 100 in silver made for the launch of the stainless steel range designed for Viner's of Sheffield#
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| London 1954
Thomas George Bradbury
Diameter: 8.5 cm
Height: 8.5 cm
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| Sheffield 1956
Height: 5 cm
Width: 10 cm
DAVID MELLOR had graduated from the RCA in 1954 and was appointed a design consultant for WALKER & HALL
Professor ROBERT GOODEN, Head of Silver & Jewellery at the Royal College of Art who had taught MELLOR, considered this appointment as the highlight of the mid 1950's
Although no designs have been found for this, his wife Fiona McCarthy and son Corin Mellor have confirmed that the basic design for these follows his thoughts on this early period and that the double skinned handles also points to these being designed by him
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