| London 1912
Length: 20 cm
London 1912
Length: 20 cm |
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| London 1913
Length: 17.5 cm
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| Birmingham Hallmark
16 cm
Hand Forged
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| London 1969
10 cm
Grove was involved with the Bideford School of Arts & Crafts where Jane Short was taught
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| Birmingham 1962
Arthur Mainwaring Gunn
Hand engraved leaves
14 cm
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| London 1936
Length: 18.5 cm |
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| 18 ct Gold Finial
Sheffield 1997
Length: 19 cm |
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| London 1970
10.5 cm
A design from the time Dunstan Pruden was head of the Brighton School of Arts & Crafts in the 1950's.
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| Sheffield 1962
19.5 cm
In 1963, David Mellor was approached by the Ministry of Public Buildings and Works to design a complete new range of modern silver for use in British Embassies. The idea from Lord Hope, the then Minister of Works, desired the newly built embassies and furnishings to be in a contemporary style. Warsaw was the first new embassy to receive the new designs, followed by Mexico City. The 'Embassy' silver was Mellor's most important work in silver and established his reputation as a designer. Winning a Design Council award, the service was judged to be 'the best of its kind that has been produced in the country for many years.' The condiment sets, coffee pots, sugar bowls, cream jugs and candlesticks, were made in Mellor's workshop at 1 Park Lane in the suburb of Broomhall unlike the flatware which was manufactured elsewhere but bears his maker's mark. Following a change of government in 1965, the project was abandoned. |
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| Sheffield 1962
13.5 cm
2 available - £89 each
In 1963, David Mellor was approached by the Ministry of Public Buildings and Works to design a complete new range of modern silver for use in British Embassies. The idea from Lord Hope, the then Minister of Works, desired the newly built embassies and furnishings to be in a contemporary style. Warsaw was the first new embassy to receive the new designs, followed by Mexico City. The 'Embassy' silver was Mellor's most important work in silver and established his reputation as a designer. Winning a Design Council award, the service was judged to be 'the best of its kind that has been produced in the country for many years.' The condiment sets, coffee pots, sugar bowls, cream jugs and candlesticks, were made in Mellor's workshop at 1 Park Lane in the suburb of Broomhall unlike the flatware which was manufactured elsewhere but bears his maker's mark. Following a change of government in 1965, the project was abandoned.
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Length: 11cm
Import Marks London 1930
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| Sheffield 1966
Made by Viners
Designed by Gerald Benney
Length: 15cm
'Gerald Benney was consultant designer at Viner from 1959-1969
Can be used as a large pair of Salt Spoons
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| Edinburgh 1985
13.5 cm
Glass bead rolls in cage |
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| London 1965
13.7 cm
Another similar available 1966 |
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| London 1963
23 cm
Gwendoline Cross was born in Bristol in 1900 and attended Bristol Art School. She married Australian artist Fred Whicker in 1931 and lived in Clifton, Bristol and both of them exhibited at the Royal West of England Academy annual exhibitions. They moved to Wood Lane, Falmouth and she registered her hallmark in London in 1948. She made cutlery, jewellery boxes with hand beaten silver decorated with either enamel or semi-precious stones and jewellery. They moved from the New Bristol Arts Club to the St. Ives Society of Artists, with Gwen as secretary and Fred treasurer and exhibited there until their deaths. She produced etchings, paintings, drawings, sculpture, jewellery and silverwork. Much of her silver work has not been traced as it was sent to Fred's sister in Canada on her death. A retrospective exhibition of their work was held at the Falmouth Art Gallery in 1994 when 14 pieces of silverwork were loaned from private collections. |
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| London 1951
18 cm
Gwendoline Cross was born in Bristol in 1900 and attended Bristol Art School. She married Australian artist Fred Whicker in 1931 and lived in Clifton, Bristol and both of them exhibited at the Royal West of England Academy annual exhibitions. They moved to Wood Lane, Falmouth and she registered her hallmark in London in 1948. She made cutlery, jewellery boxes with hand beaten silver decorated with either enamel or semi-precious stones and jewellery. They moved from the New Bristol Arts Club to the St. Ives Society of Artists, with Gwen as secretary and Fred treasurer and exhibited there until their deaths. She produced etchings, paintings, drawings, sculpture, jewellery and silverwork. Much of her silver work has not been traced as it was sent to Fred's sister in Canada on her death. A retrospective exhibition of their work was held at the Falmouth Art Gallery in 1994 when 14 pieces of silverwork were loaned from private collections. |
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| London 1931
Length:10.5cm
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| London
11.5 cm
Hand forged |
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| Birmingham 1922
Length: 9.6 cm
Blue Agate Finial |
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| London 1977
12 cm
Lindsey Middleton studied at High Wycombe College of Art & Technology before proceeding to the Royal College of Art. The Thames and Hudson Manual of Silversmithing by Frances Loyen published in 1980 features several illustrations of her work. In 1979 she was teaching at Nene College of Art in Northampton.
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| Edinburgh
Length: 11.5 cm |
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| LONDON 1998
25 cm
Original felt bag made by Margaret Bolton
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| London 2004
6 cm
Scallop shell bowl with silver gilt pearl inside
2 Pairs available
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| London 1990
14 cm
Applied silver M
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| Fully Hallmarked Silver
Hand Hammered
Length: 13cm
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| Fully Hallmarked Silver
Hand Hammered
Length: 11cm |
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| London 1991
14.5 cm
Hot forged
(4 available)
Patricia Jean Hamilton trained at the Sir John Cass School of Art in the 1970's and won several Design awards. She has made silver guitar buckles for Paul McCartney, ecclesiastical silver and is in the Aberdeen Museum. She lives and works in the Cotswolds. |
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| London Hallmark
22 cm
Rosewood Handle
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London 1960
Length: 15.5cm
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